Follow these 4 tips, and you’ll be on your way to creating absolutely nothing in no time!
1. Only consider working when you feel super inspired
Don’t waste time going to the studio unless you have the [cue echo] BEST IDEA EVER in the HISTORY OF ART [end echo]. Don’t experiment, don’t follow hunches—only enter your creative space with a completely original, perfectly crafted idea that has never, ever been thought of before. By anyone. Ever.
2. Respond to all texts, emails and calls the n-a-n-o-s-e-c-o-n-d you get them
Make sure your creative time is peppered with the relentless !DING! of your phone. In fact, make sure that your phone is on at all times in the studio, on the loudest volume setting. And (-bonus for this one-) physically carry it on your person while you’re working. Don’t leave it in the car or turn it off…else you might miss that emergency text alert that your AT&T autopayment has gone though. As planned. Like it does every month.
3. Definitely do not sleep
Stay up late, don’t take naps, and don’t sleep when you’re tired. Not getting enough sleep will make you cranky, emotionally unstable…and cranky. Did I mention cranky? Being tired and irritable will make you pick fights, overeat, overdrink, overwhatever, and ultimately say “screw it” to your creative time. So that you can instead watch five hours of mid-day Love Boat reruns.
4. Make sure your home is in perfect order at ALL times
This one’s important. Never, ever create art when there’s dirty laundry in the hamper, dishes in the sink, or pillows to fluff. These chores are critical and should usurp all studio time. Especially those pillows. Believe me, when you’re 90 years old and looking back your life, you’ll smile remembering all the times you opted to clean to your tile grout instead of creating a dumb old painting. Right? Right.
Ok, back to dusting the baseboards for me…
Until the next sarcastic rant. Or painting. Whichever comes first…
Raven | ©Aimée Rolin Hoover | 16in x 16in | Acrylic on wood
Ravens are super smart birds. I’ve been drawn to them for years because of their intelligence and strong (somewhat menacing) faces. A couple weeks ago I finally found a photo that I loved enough (taken by Stein Arne Jensen) to use one as a subject.
Raven is the first painting I’ve ever done on a wood panel. It initially felt odd to paint on a surface that had no “give” to it, like stretched canvas does, but I ended up really enjoying the process. The wood itself is really beautiful so I kept parts of the painting loose so it could show through.
I also experimented with a much smaller format that I normally use…there’s quite a size difference between the previous piece, Flamingo and Raven…
I’ll definitely be using more wood panels, avian subjects, and smaller formats and in the future. At the very least, it’s great to paint a piece that fits on my easel again!
Until the next painting, thanks for reading…
I’m current having a moving sale: recent work is 40-60% off. Click here for more info!
The building my studio is in will be meeting with a large wrecking ball in the coming months, so it’s time to relocate.
But before I go, I’m having my first-ever-in-15-years Studio Sale!
Recent, original paintings are now 40-60% off (until Saturday August 22, 2015).
CLICK HERE to view sale list.
So if you’ve been staring a big blank wall, or just want to refresh a room in your home, it’s a great time to scoop up a (big) painting…
Live in the LA area? Please come by and see the work in person by scheduling a private studio visit. To make an appointment, just shoot me an email.
For more info on the sale, including pricing and an available paintings list, please click here.
Thanks & hope to see you at the studio!
Flamingo | ©Aimée Rolin Hoover | 48in x 60in | Acrylic on stretched canvas
Flamingo is my first ever avian painting. It was inspired by yet another great image by “Tambako the Jaguar” (otherwise known as Emmanuel) on flickr.
I think I tend to be a little too wordy in my blog posts occasionally (who, me? no!), so I thought I’d mix things up by packing this post with lots of pictures instead of words.
So here’s a bunch of photos of the entire painting process, including a few alley shots of the painting enjoying itself in the sun (it’s summer after all). What’s not included are all the botched photos I took dodging cars in said alley.
Hope you enjoy!
Initial background and very slight sketch
Initial blue underpainting
Dodging cars in the alley while Flamingo dries
Putting the darker background in
Final painting (48in x 60in | Acrylic on stretched canvas)
I really enjoyed painting Flamingo and definitely plan on doing some more avain portraits in the future.
So bird may indeed be the word for a while.
One last note…
Last night, after I finished the painting, my friend Heather told me that the inventor of the plastic pink flamingo lawn ornament, Donald Featherstone, just passed away. Apparently he was a sculptor and trained in classical art. While I didn’t know this before I choose to paint a flamingo, I like the idea of this painting being dedicated to a fellow artist.
Until the next post, thanks so much for reading…
Horse and Rider | ©Aimée Rolin Hoover | 41in x 52in | Acrylic on canvas
I was obsessed with horses as kid. I never had my own, but I went to a few summer horse camps (utter heaven) and adorned my room with collections of those barbie-sized, plastic horse figurines.
Though I’m still in awe of equines, I’ve been reluctant to paint them for a couple of reasons…
First, horses are incredibly difficult to paint well. (Case in point, I’ve tried and failed at two in the last year.) I’m not exactly not sure why this is. But it probably has something to do with the fact that their specific bone and muscle structure makes it tough to “wing it.”
Second, although they are incredibly photogenic creatures, horses tend to be portrayed/painted in just a handful of popular positions. So if I was to paint one, I’d want to portray him or her with particular energy, at an unusual angle.
While perusing my favorite
procrastination inspiration spot, Instagram, I came across the feed (ie., photos) of Howie Guja. Howie is a commercial photographer, real estate broker, and from what I can tell, just an all-around cool guy. What initially caught my eye was not horses, but his photos of old, beautiful homes in Bellport, NY (on the East End of Long Island) and surrounding areas. Here’s a small sampling…
Then I scrolled down and to my surprise, there was an awesome picture of a horse. It was what I had been picturing for years. I immediately contacted Howie and he was nice enough to give me permission to paint it.
Horse and Rider is one of the first portraits I’ve painted on un-stretched canvas (Cow No. 1 is the other), as well as the first portrait I’ve painted with a *hint* of a human in it.
Really, what can’t duct tape do?
It’s also another piece in the looser, more painterly style I’ve been developing over the last few months, with some parts rendered completely, and other parts left loose and sketchy.
I’m looking forward to painting more horses in the future, and thank Howie in particular for the inspiration this time around!
In the meantime, here’s a few more pics from the studio…
Working on “Horse and Rider”
Detail of “Horse and Rider”
Until the next painting, thanks so much for reading…